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From: Vol.04 N.01 – Where to feel now

from SOUND((ING))S

by Amy Evans

from-soundings_page_02© Amy Evans 2017
from-soundings_page_03© Amy Evans 2017
from-soundings_page_04© Amy Evans 2017
from-soundings_page_05© Amy Evans 2017
from-soundings_page_06© Amy Evans 2017
from-soundings_page_07© Amy Evans 2017
from-soundings_page_08© Amy Evans 2017
from-soundings_page_09© Amy Evans 2017
from-soundings_page_10© Amy Evans 2017
from-soundings_page_11© Amy Evans 2017

Published: January 2017
Amy Evans

is a poet and classical singer based in London. Recent publications include The Report of the Iraq Enquiry (ff press, 2017), the broadside Stalking Gerard Manley Hopkins (Salient Seedling/Woodland Pattern Book Center, 2016), and her third chapbook, CONT. (Shearsman, 2015). Her poems and montages appear in Jacket, Dear World & Everyone In It (Bloodaxe, 2013), and elsewhere. She performed at Poetry and Sound at the ICA, London in 2016. Her at-sea poetry installation, SOUND((ING))S, takes place across the UK-France border in the English Channel (https://www.youtube.com/watch?v=z_h4VHm57qY). She teaches at the University of Kent.

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

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