Skip to content
Back to issue
From: Vol.12 N.01 – The Braided Gift

Wet-Blocking My Fair Isle Scarf While Thinking About Jimmy Perez Enjoying Quiet Retirement on Orkney

by Elena Gomez
Lastly, I restocked tension 
on the warehouse shelf. Loopholes
opted out and were satisfied. But forensics
never laughed so meatily. The waulking
songs vibrated into stone. My thick tail
rendered slick oil mute, a passed over
stitch, plied in the hills, offering
fishnet holes counted out in fours.
Increases in falkland corriedale x gotland
– brief halo –
a minor drape
chartreuse but call it kokko or
chartreuse but call it golden mustard
hidden in coat rack pockets
that left us for sleep and remained fragrant
in blooming sheep yolk.

‘Crisis averted!’ cries my aunt’s newest lover,
Speaking slowly & resisting traffic as she
completes the cobbed corn. Have you ever
rented a noodle? It startles the domesticated
 eels
and there’s a sense of regality despite
the weightlessness. The old knitters hitting
200 stitches per minute.
Corn, once more! splashing out from
these bared teeth, the local goatherders are fangin’ it
 down the cliffsides
These interlocutors lining up outside the bakery
In shetland-dad detective jumpers
     Forever debating which pair of local
currawong are the most brazen of all
Published: November 2025
Elena Gomez
is the author of Body of Work (Cordite Books, 2018), Admit the Joyous Passion of Revolt (Puncher & Wattmann, 2020) and GOATS (RUNAMOK, 2025). She lives on unceded Wurundjeri country.

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

© ALL RIGHTS RESERVED