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From: Vol.11 N.01 – Queering Ecopoet(h)ics

The Sand Reckoner

by Jarad Bruinstroop
I only go to the beach to get my aura clean. 
When I have spent too long in the split-
down-the-middle world, it’s time
to crawl back on my knees.

Twenty-minute trudge from the surf club
I can’t see a manmade thing.
If there’s nobody here
but me, there’s nothing wrong
with me.

I’m lucky if it’s blustery
the wind whips up the sand
like a stinging memory.

It’s nothing
to walk a million years
of crushed rock. Nothing between me
and what does the crushing.

Even here I have reception.
On Grindr, men are broken down
into electrons and reconfigured
in a neat grid.
One profile reads: Destroy me.
I will live again.

Archimedes wanted to know
how many grains of sand
could fit in the world. No,
he wanted to know the world
according to a grain of sand.
Is that it? I guess
I don’t know what Archimedes wanted
from the world.

Years ago, in the dunes
on the desire path worn
between caravan park
and surf, I passed
a lifesaver changing
at the end of his shift
in the shadows under the tower
caught halfway between
what he was and what he was
becoming.
Published: April 2024
Jarad Bruinstroop

won the Thomas Shapcott Poetry Prize for his debut poetry collection, Reliefs (UQP, 2023). He won the 2023 Val Vallis Award. His work has appeared in The Best of Australian Poems, Meanjin, Overland, and elsewhere. As the University of Queensland Fryer Library Creative Writing Fellow, he is developing a novella that draws on Meanjin/Brisbane’s Queer history. He holds a PhD in Creative Writing from QUT where he also teaches. Instagram: @jaradbruinstroop X: @jbruinstroop

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

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