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From: Vol.12 N.01 – The Braided Gift

subtle objects

by Antonia Pont
at that altitude where small objects, subtle objects
rejoin language—
in the bathroom spiders to save
(door’s hinge opens on them; they stagger
on swept floor then, sliding with pin-prick paws on
black, mincing slippers, cannot stand)

I practised walking along sloping, stony path
to a bridge with corner in it, towards a house
once offering honey to passers-by
—I did not time the water, the sleep, the notebook
today and each time (when these things fall from laundered
expectation) I undo a certain grip,

tentacular hold, like an elastic leg of the brain,
I rest it, see its white, gelatinous tip and heavy-duty
muscle unclench, withdraw silently, like a dancer
turning away—  mind wants something to hold
but it can learn
     non-holding. No tears yet

just that altitude up on the Grünten where
beloved antenna blinks phrases over low green
valley: what objects then? (How does antenna
recognise its cognitive dissonance?) —I can take
four needles (bound, counted) around three corners,
(which are arbitrary)   we decide what will have been there.

To become new (and newly prompted) there are still
drifts of knotted feelings, some so immemorial
small, subtle objects
which aren’t really objects. Through fingertips
we drew prickling in, then held its flare
in nests of hands   we’re

dented thimble coloured stone
and law of petals and viscous air
  that hugs implausibly
 this engineered wing
a spider (listing barely) and
  hail’s thought before it forms.
Published: November 2025
Antonia Pont

is a long-time practitioner of writing, thinking, moving and stillness. Via philosophical and embodied inquiry, she enacts creative research about time, capacity, ethics, wanting, physical and psychic stability, sustainable states and non-violent transformations. Associate Professor in Writing, Literature and Culture at Deakin University, she is author of The Memory Library (Spineless Wonders, 2024),You Will Not Know in Advance What You’ll Feel (Rabbit Poetry, 2019), A Philosophy of Practising with Deleuze’s Difference and Repetition (Edinburgh University Press, 2021), and the recent Plain Life: on thinking, feeling and deciding (UNSW Press, 2025). Her essays have an international following and can be found in OverlandLiterary Hub, The Lifted Brow, Meanjin and Antithesis. She works and rests on unceded Wurundjeri lands. 

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

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