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From: Vol.12 N.01 – The Braided Gift

Odd Wren’s End-words

by Stuart Barnes

after G & S, for F & C

Is St. Macho———
nose like a lime

-hound’s, unsound Gen Y mind———
genuinely het

up about my ending
three lines of ‘At Seven Mile

Beach’ on the
definite article

or is it that he can’t stomach
the poem’s looping allusions to

Apollo’s embroidering a flower with gay
abandon? Is all he knows the shattering

of a criss-cross ring
set with rose-cut YAG?

On and on his message
parades, triple-glyphosated fields

of sugarcanes. I chew the stalks, make ink
from the juice, paper from the megasse.

I imagine him watching
a trumpet recital,

wanting me to straighten
by taking fourteen small steps towards Homosexuals

Anonymous. His rage gift
was utterly unasked

for, but I don’t feel exposed,
as if on stage,

don’t imagine him modelling Milo x Speedo
briefs. I dismantle superbrands. I adore

the weaving life———
kneading the spark

of an idea or
keeping tectonic plates

spinning. I imagine my grin
soothing tin roofs for his credal

green-eyed felids.
I imagine a great fig

letting its hair down, a curse blown
from a garden’s gates.

An attentive web-threaded nest, a
dozen. Brown and blue crowns,

zizzing and wing-chat,
indefatigable yellow petals,

yellow love gifts. A sunlit solo, a
multitude, a crescendo in

eight parks. In loathsome Hobart’s parks
the magician with words

versed me in queering
rules; in the blessed city’s parks, my partner. Nate’s

his coolest pseudonym. For him
I play the sax loose, hum

spools of high notes. Why should I fray
when he draws a Queen———rig

-ht hand bearing a rising sword———
from the pack? Superb fairy

-wrens who pair-bonded in kin
-dergarten, we incandesce or

iridesce. We joyglide. Overland. Narcissus
River’s skyward eyes, the runic sass

of buttongrass and a Cradle
Mountain-peak leaf-viewing

buoyed up by cloudcards’ Hi from
the nacresphere! xo
leave us naked.

Note

this poem was part-inspired by Gwen Harwood’s using fixed forms and an anagrammatic pseudonym; “His rage gift / was utterly unasked // for” and “yellow love gifts” correspond with “A gift, a love gift / Utterly unasked for” from Sylvia Plath’s ‘Poppies in October’; “magician with words” is from Cassandra Atherton’s ‘In the Dreaded Park’: Gwen Harwood and Subpersonality Theory; for Harwood, Hobart was ‘loathsome’, Brisbane ‘the blessed city’.

Published: November 2025
Stuart Barnes

Stuart Barnes’ most recent poetry collection is Like to the Lark (Upswell Publishing, 2023), awarded the 2023 Wesley Michel Wright Prize, shortlisted for the 2024 ALS Gold Medal and highly commended in the 2024 Kenneth Slessor Prize. Glasshouses (UQP, 2016) was awarded the 2015 Thomas Shapcott Prize, commended in the 2016 Anne Elder Award and shortlisted for the 2017 Mary Gilmore Award. Stuart, Nigel Featherstone, Melinda Smith and CJ Bowerbird are Hell Herons, a spokenword+music collective whose debut album The Wreck Event is available at Bandcamp and on all streaming platforms. Read more at: stuartabarnes.com Instagram: @stuartabarnes

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

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