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From: Vol.11 N.01 – Queering Ecopoet(h)ics

Late Freeze

by Amie Whittemore
My neighbours drape their tulips in white sheets:

tender ghosts. She says, I can’t be judged by my past

actions. Each dogwood blossom smudged brown as if

burnt. Yet the past stacks inside me: plates, bricks, bowls.

Somehow, the redbuds remain, broken hearts crowded

on each branch like fans outside a blue stadium.

What did I know, what did I know of love when

I bent to each request like a bough caked

in ice? She was never ice. Let’s say I was kindling.

Let’s say I was a matchbook. Let’s say

it was all my fault—this freeze, the withering blossoms,

bees shivering in their hives, hungry yet

shimmering. Does that erase the past? I can’t be

an empty glass. I can’t be a broken watch.

Tomorrow the tulips, untucked from their blankets,

will gleam, like toddlers sleepy-eyed and winking.

How glad a bloom—it can’t help itself. I couldn’t stop

myself, she said that night, after she chucked

all my sentimental objects in a box: dried roses from my grandfather’s

funeral, tattering into dust. Snow falls like ash

this morning. Will next spring’s bulbs remember,

nested under soil? Does soil remember?

You can make fist after fist, but that’s not where a seed lives.
Published: April 2024
Amie Whittemore

(she/her) is the author of the poetry collections Glass Harvest (Autumn House Press, 2016), Star-tent: A Triptych (Tolsun Books, 2023), and Nest of Matches (Autumn House, 2024). She was the 2020-2021 Poet Laureate of Murfreesboro, Tennessee, and an Academy of American Poets Laureate Fellow. Her poems have won multiple awards, including a Dorothy Sargent Rosenberg Prize, and her poems and prose have appeared in The Gettysburg Review, Nashville Review, Smartish Pace, Pleiades, and elsewhere. She teaches creative writing at Eastern Illinois University and serves as director of MTSU Write, a from-home creative writing mentorship program. Learn more at amiewhittemore.com.

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

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