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From: Vol.11 N.01 – Queering Ecopoet(h)ics

Clair de Lune

by Gavin Yuan Gao
Nightfall, nightfall, the blackbirds 
call, or black petals call, their voices
like the bottoms of black socks.

Beneath their calling, a river
full of clocks not ticking,
like a child full of time.

An icy flower, slightly shy, the moon
has turned away her one-thousand
-and-first face.
Until she has dried
her tears, she won’t speak to us.

Listen. Gulls cry in the salt breeze
like souls wrapped in handkerchiefs.

Waves roll their black tongues
over the sandy back of a beach,
over the mind of a child who dreams
of small moons on the sand
and a blue room in the sea.

Love, you are the sea
seeking the attention
of a single oyster.
In me, you’ve lodged all the notes
and a grain of sand.

You touch the black keys. You touch
the black keys inside me
and I pearl.
Published: April 2024
Gavin Yuan Gao
is the author of the poetry collection, At the Altar of Touch (University of Queensland Press, 2022). They are currently a James A. Michener Fellow at the Michener Center for Writers.

An Australian and international
journal of ecopoetry and ecopoetics.

Plumwood Mountain Journal is created on the unceded lands of the Gadigal and Wangal people of the Eora Nation. We pay our respects to all Aboriginal and Torres Strait Islander people, and to elders past, present and future. We also acknowledge all traditional custodians of the lands this journal reaches.

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