What is your interest in things and their syntax? How might a poem discover their vibrance, movement, resonance, their turning? So, sound, narrate, list, complicate, fold and unfold the things of this world, in their over-thereness, in their beside-hereness, in their still life, their other life, their non-human-life, their between-life, their part-of-human life. I want to read this. (Jill Jones)
Submissions are now open until Sunday 28 October 2018, for Plumwood Mountain 6, 1 (Feb 2019), guest edited by Jill Jones. Read the full prompt for submissions and submissions guidelines here before you send us your work.
Categories: Latest news